HE AND SHE
2 Characters
1 Man. 1 Woman
Simple Set
47 pages
PRODUCTIONS:
2022 – Aquinas College
1990’s:
Professionally Produced in NYC at Theater 22.
Professionally Produced at Dowling College
Student Production – Dowling College
Two character play exploring relationships; their mystery, conflict, pain, joy, transformation, transition, insanity, separation and connection.
As they progress through their relationship together, their inner conflicts are expressed through very specific physicalizations of deeply emotional and psychological transitions, and explores escape, conformity and transcendence within the context of funny and tragic physical transformations; the relationship to one another, to themselves, to their transformations and transitions and how those affect each moment, and the larger world continue to evolve throughout the play.
As she is stuck in her position in a chair, feeling stuck, she struggles to free herself wildly, working against her husband, who is hiding under the covers of the bed. He wants to journey out beyond comfort, into a new male identity – but is too afraid, but won’t admit it. Both are seeking harmony and wholeness, while trapped by their own conditioning, and human fear of change and the confines of their relationship.
They both break free of old roles, and concepts of self, and identity – SHE from her chair moving around the space with a sense of self, and confidence, and HE from under the covers, into a new male sensibility.
To read Excerpts from the play, click Read More below.
Note that formatting in the excerpts are not centered, and instead, left justified.
The PDF of the the play is in correct format.
2 Characters
1 Man. 1 Woman
Simple Set
47 pages
PRODUCTIONS:
2022 – Aquinas College
1990’s:
Professionally Produced in NYC at Theater 22.
Professionally Produced at Dowling College
Student Production – Dowling College
Two character play exploring relationships; their mystery, conflict, pain, joy, transformation, transition, insanity, separation and connection.
As they progress through their relationship together, their inner conflicts are expressed through very specific physicalizations of deeply emotional and psychological transitions, and explores escape, conformity and transcendence within the context of funny and tragic physical transformations; the relationship to one another, to themselves, to their transformations and transitions and how those affect each moment, and the larger world continue to evolve throughout the play.
As she is stuck in her position in a chair, feeling stuck, she struggles to free herself wildly, working against her husband, who is hiding under the covers of the bed. He wants to journey out beyond comfort, into a new male identity – but is too afraid, but won’t admit it. Both are seeking harmony and wholeness, while trapped by their own conditioning, and human fear of change and the confines of their relationship.
They both break free of old roles, and concepts of self, and identity – SHE from her chair moving around the space with a sense of self, and confidence, and HE from under the covers, into a new male sensibility.
To read Excerpts from the play, click Read More below.
Note that formatting in the excerpts are not centered, and instead, left justified.
The PDF of the the play is in correct format.
Legal Notice: These works are copyrighted multiple times, including several versions of each script, most dating back to the 1980's and 1990's as well as every one of them in 2020. Downloading any of my work registers important digital identification information. Scripts can be read, but if you want to use parts of them, or entire scripts for any reason, you will need a contract signed by me agreeing to it. Thanks for taking an interest.
To Obtain Rights to use my scripts please contact me and we will take it from there. Thank you.